Nattiv sought to humanize her with a focus on the isolated, agonizing days of war taking place in the twilight of her life, spent in between war rooms and hospital beds.

 Nattiv sought to humanize her with a focus on the isolated, agonizing days of war taking place in the twilight of her life, spent in between war rooms and hospital beds.

“I wanted to show the most pivotal moment in her life and in this country’s life, this junction that shaped her whole image, while she was sick and had to make difficult decisions,” said Nattiv. “I wanted to tell her story through loneliness.”

Nattiv also shows Meir in the place where her political edge converged with a tender instinct: her intimate home kitchen. Like the real Meir, Mirren’s version cooks for the select group of advisors who enter her home. The prime minister was known for serving cheesecake and apple strudel to her powerful guests on Shabbat evenings, accompanied by consultations and debates around the table. The practice became known as “Golda’s Little Kitchen” or her “Kitchen Cabinet.”

Among Meir’s kitchen guests was then-U.S. Secretary of State Henry Kissinger, played in the film by Liev Schreiber. Nattiv recreates the tense conversations in which Meir pressured Kissinger to send aid for the Israeli army, whose reserve ammunition was rapidly exhausted in the early shock of the war. The United States, at first hesitant to lose its own access to oil from Arab countries, agreed to send weapons and aircraft to Israel when the Soviet Union began resupplying Egypt and Syria, drawing the Yom Kippur War into the Cold War.